MY AWARDS ELIGIBILITY POST FOR 2022

This has been *a year* hasn’t it? I am still grateful for all the thing I managed to achieve. And there were some new and exciting ones! I sold four stories to different publications (some publications were new for me!) and even had the pleasure to write a story for the Wordcraft Writers Workshop powered by Google! Writing Worm-Mothers was a unique experience and I am humbled by the amazing group of authors who took part in the workshop.

Currently, I am guest-editing the Dread issue of Apparition Lit with Nelly Geraldine García-Rosas. The Apparition Team is a dream to work with and very patient as we learn the ropes of the magazine.

Since not all my stories are out yet–there is a story in the Deadlands that I am super excited to share with you at the end of the year–I will be updating the last entry later with a link. But for now here are the stories I published this year. I hope you’ll find something you like. Let’s go!

Here are the stories I published this year and are eligible for awards:

Of the Body – short story – 4300 words – Beneath Ceaseless Skies, issue #365

Sali and Osarah are going to have a baby together, but first they have to hunt and kill the animal that is pregnant with it.

This one started out mostly with vibes. I had the image of a dead deer with a newborn human baby inside it. This thought was so alien to me, so strange, that I had to make it either a far future science fantasy or some secondary world set on another planet. To be honest, more than half of the story is still in my head, and there is more science fiction in there than what’s on the paper. Perhaps in the future there is a novella or two to be found in there. This story is on the Nebula Recommended Reading List!

“What if, I think. What if she is both? She is of the Body, like all of us, and she belongs to it as much as all of us. She could belong to two different worlds. In the end, they are still one.”

Bonesoup – short story – 2400 words – Strange Horizons

Dina’s grandmother never lets her have sweets, yet she cooks up a storm for the other children in the neighborhood. A story about family, food, intergenerational trauma, and a cannibal granny!

Bonesoup_SiteThis story poured out of me one night almost completely formed. It’s a sort of heartwarming horror version of the witch from Hansel and Gretel with a lot of Greek family dynamics and intergenerational trauma thrown in the mix. I am still absolutely in love with the illustration Dante Luiz made for it and that’s why I used it as a featured image. This story is also on the Nebula Recommended Reading List!

“For a moment—perhaps it was my sweet-tooth brain—she looked mostly made of custard, her eyes were two pastel blue candied almonds, her chin was a shortbread biscuit. But parts of her were still meat. Her hair was black, and slick down her shoulders like always. I looked away and the image was gone.”

This Village – flash fiction – 800 words – Uncanny Magazine, issue #46

The unnamed narrator crossed a path and found themselves in a village unlike any other before.

Triantafyllou Issue 46 Story Tile

This story sprang from a Codex writing contest, during Week 3 and I am really glad that it did. It might be small but I found that people enjoyed reading a piece of hopeful fiction at a time when the news were not good at all. Very proud of this little story.

“There is always a trail wherever you live. You just have to find it. If you peer through an opening framed by two linden trees. If you follow the foam of the waves on a cold night. If you are not afraid to crawl into the long narrow caves that open like mouths on jagged rocks. You will see them. They all lead here. To this village.”

A Harvest of Bones – short story – 2700 words – The Deadlands

In a village ravaged by war, soldiers come to take away sons and husbands. This is the last night, the night the women must decide what to do. How will these bones they unearthed help them?

This story is an older one of mine. It had many near misses in the submission process and I am very happy it has finally found its home. It is dear to my heart because of the weird premise and coincidentally it features another cannibal granny! I swear I wasn’t doing it on purpose before but now I might start to…

““This is not a cemetery, it’s a bone garden,” Nana said. “Don’t let the stones fool you. These were added later by priests and nuns who didn’t know any better.” She spat on the hard ground as if the stone were an affront to her and grabbed her pickax. “The dead don’t rest here. They are only waiting.””

Thank you for taking this journey through my year. If you enjoyed any of these stories it would be an honor if you voted for them for awards. I hope the new year bring stability and hope to all of us.

Worm-mothers – Google’s Wordcraft Writers Workshop

Would you still love me if my story was a worm?

The cat is out of the bag! I was part of a group of 13 author to write with Google’s Wordcraft (one of the latest generation of large language models). Wordcraft is one of the largest language models, trained with a massive amount of text into predicting the words that will follow or perform a series of tasks the author instructs it to do using prompts with specific parameters.

The story I wrote is called “Worm-Mothers” and it’s as weird as it sounds. 😆 It’s about a world with strange creatures, demanding strange sacrifices.

Each author created a diverse array of stories and engaged with Wordcraft in their own unique ways. For me, the process was more or less having fun and playing around with the tool while I familiarized myself with its interface and what it could do. It turns out in my particular case Wordcraft was used in two ways: 1) For brainstorming purposes, giving me the initial seed of an idea. The weirder the better. 2) For worldbuilding and honing details on the nature of the creatures in my story.

For other writers it was a poetry generator or a research tool, for others is was a problem-solving companion. It was, of course, not perfect as it needs the user to guide it and select the fitting parts to incorporate in a story, but it was still a fascinating experiment with a machine learning writer.

The “Worm-Mothers” got a shout-out at CNET which is pretty cool! I hope you will read and enjoy that little story.


You can read the stories and learn more about Wordcraft here.

NEW STORY OUT: OF THE BODY

So stocked to announce that my first publication in Beneath Ceaseless Skies is out! “Of the Body” is a fantasy story set in a world where animals carry and give birth to human babies. Sali and Osarah are going to have a baby together, but first they have to hunt and kill the animal that is pregnant with it.

It’s a story about a family’s persistence, the symbiotic relationship of human and nature, community, and adaptation. It’s in the wonderful company of Adam R. Shannon‘s story “Five Aspects of River and Sky”, a story that also deals with themes of human vs nature, adaptation and moving forward. I couldn’t have asked for a better story-match.

I wrote this story at the beginning of 2021. I stumbled upon a prompt about a dead deer and a human baby on Codex Writers’ Forum and things just clicked in my mind. I wanted a world where things where so interconnected to each other that humans would be born of animals. And I wanted people to still be stubborn and still make mistakes when it came to their relationship with nature. Because humans don’t learn easy.

Many questions were born from this idea. What would happen to the humans then? Would they find their way to each other despite being born of a different species? And if they did, how would they then view their animal mothers? Who did the babies really belong to? A considerable amount of denial would have to exist for them to not recognize that in fact they were part of both worlds. And so this story with one of the wildest premises I’ve written was born.

We arrived to this world, fresh and ignorant, and stood separate from it. All living things shared one single breath. It was the Body revealing itself to our ancestors. We stood on top of the Body, walked around it, dove into its guts, yet we did not see it.

This story was a bit out of my comfort zone and I enjoyed stretching my writer’s muscles. If you want to listen to the story here is the Podcast version of it. I hope you like it! 

NEW STORY OUT: BONESOUP

 

My story “Bonesoup” is out in the new issue of Strange Horizons! This is my second appearance in a magazine I really love and I am so excited! 

The amazing Dante Luiz picked my story and created a gorgeous and chilling illustration based on it. It’s the one you see as a featured image at the top. I just can’t stop staring at it and finding new details that fit my story’s themes so well. 

The story sprung from a strange thought I had one night (more like super early morning…) about the Witch from Hansel and Gretel having children of her own, and what if these children carried on the cannibalistic tradition. It was not meant to be set in the modern-day, rather than set in some unspecified place that had a Middle Ages/fairytale feel. What happened, of course, was that the minute I sat down to write the story it became a modern-day Greek story about a grandmother trying to feed her granddaughter “good food” with references to the Greek Famine, and the occupation syndrome, and all the baggage the past carries. 

 

For a moment—perhaps it was my sweet-tooth brain—she looked mostly made of custard, her eyes were two pastel blue candied almonds, her chin was a shortbread biscuit. But parts of her were still meat.

 

This is a dark story that invokes a lot of uneasiness, but underneath it all there is love that binds the family of the story together. Food is love after all. I hope this story resonates with you. 

 

AN INCOMPLETE LIST OF BEAUTIFUL STORIES (and some essays!) THAT HAVE KEPT ME COMPANY THIS YEAR (BY PUBLICATION MONTH).

This time I made the small effort to add a few words alongside the stories. There might be typos but I did my best. Thank you so much for your words everyone ❤

The Unrepentant, by Derrick Boden, in Escape Pod, (January)

This is such a roller-coaster of story. Packed with action and twists, it is also a sharp commentary on a bleak future that seems not too far off.

My Mother’s Hand, by Dante Luiz, in Constelación (January)

This is an amazing story about witchcraft, identity and bodily autonomy. A man’s hand is possessed by his witch mother’s ghost. I really loved the worldbuilding and the way the possession progresses. The ending is both cathartic and triumphant.

There, in the Woods, by Clara Madrigano, in The Dark (January)

A disturbing story about going back to a place that made you uncomfortable as a child. About feeling powerless as you slowly lose the things that shaped your identity as an adult. The feeling of doom stays with you for a long time after.

Secrets of the Kath, by Fatima Taqvi, in Strange Horizons (January)

This is a story of many layers that slowly peel away one after the other to reveal the ugly core of oppression. But the puppets know, just like the earth knows and all the women before. And now it’s the protagonist’s turn to know and to act.

From Witch to Queen and God, by L. D. Lewis, in Mermaids Monthly (January)

A gorgeous anti-colonial take on the Sea Witch with amazing characters and very smart solutions to the problems that arise. The ending was chef’s kiss.

Laughter among the Trees, by Suzan Palumbo, in The Dark (February)

A story about immigration and what it means to not fit in, but also sibling rivalry and survivor’s guilt. All these themes are woven masterfully into this chilling horror story.

The Antagonizer, by Gardner Mounce, in Hobart (February)

This one is a surreal take on the already surreal and bleak office culture. The sharp commentary is not lost but neither is the tender core of the story. 

Fanfiction for a Grimdark Universe, by Vanessa Fogg, in Translunar Travelers Lounge (February)

I just love stories inside stories, and this one is so satisfying because it offers so many different version of what this story could be in another place and another time, and what it ultimately becomes. The sweetness that reveals itself under the hard armor of war and desolation.

The Taste of Your Name, by Amal Singh, in Translunar Travelers Lounge (February)

A very strong issue of TTL! This story was a sensory feast and made me so hungry! I just love all the descriptions of taste. It is bittersweet story, but ultimately full of hope that love and family can be in balance like the tastes in a favorite dish.

The Mathematics of Fairyland, by Phoebe Barton, in Lightspeed (February)

A wonderful mix of fairytale and science fiction in way that makes the story feel fresh and compelling. It’s full of heartache and grief and how far one can go for love.

We Are Not Phoenixes, by John Wiswell, in Fireside (March)

This is such an emotional but also delicate story about end-of-life care. It’s compassionate and full of meditations on disability and how magic can being people a little closer and make life a little brighter.

Colors of the Immortal Palette, by Caroline M. Yoachim, in Uncanny (March) – novelette

I just love how this story is sectioned according to a specific color that lends its qualities to the entire period it titles. The historical details and the vividness of each period left me breathless. A story about who gets to really be immortalized through art and what representation means. Just gorgeous.

The Center of the Universe, by Nadia Shammas, in Strange Horizons (March)

This is such a smart story in a way that feels organic. It takes tropes and twists them around to reveal the wound that’s been bleeding all this time. It’s about who gets to be the protagonist of their own life. In the world we live in, many people don’t even get the chance to tell their own stories the way they chose to. Really powerful stuff that will stay with me. 

All Worlds Left Behind, by Iona Datt Sharma, in Khōréō (April)

This story rings so devastatingly true. It’s a portal story but also a diaspora story. People as the only connection one has to certain places that might become lost in time as generations come and go. Heart-rending and hopeful!

Jenny Come Up the Well, by A.C. Wise, in PodCastle (April)

This had such a beautiful imagery. Mythical creatures and humans band together to break free from injustice and intolerance. I am so glad about that ending! It was a rollercoaster to get there and it felt so well-deserved.

A House Is Not a Home, by L Chan, in Clarkesworld (April)

If “There will come soft rains” was both more optimistic and complicated and there was the moving PoV of the abandoned house, it would be this story. So, so smart!

Eighteen Days of Barbareek, by Rati Mehrota in Uncanny (April)

What an amazing piece. It drew me in from the first sentence. Dry humor contrasted with a ghastly war imagery and a bitter conclusion that still leaves a sliver of hope sneak in at the end.

Forward, Victoria, by Carlie St. George, in The Dark (April)

This is a horror story with a breakneck rhythm. It grabs you from the start like a slasher movie (and it’s a big nod to slasher movies) and you keep reading transfixed, even though you can see how things might play out. Even though you know things always play out like this in horror movies. Brilliant.

Unnamed, by Monte Lin, in Cast of Wonders (April)

This is a story of names and idenity but also a story about finding your place in complicated and confusing world, especially as a young person. The author builds the characters so fast and deaftly, and we can’t help but share the sense of dissoriantation and ftustration the protagonist goers through. The ending is so movign because it comes full circle. 

Bride, Knife, Flaming Horse, by M.L. Krishnan, in Apparition Lit (April)

This is such an amazing story, subverting tropes unapologetically with a sharp sense of humor. I just love the uncompromising protagonist who gets what she deserves at the end.

“The White Road; or How a Crow Carried Death over a River” by Marika Bailey, in FIYAH (April)

Broadfeather the crow is in search of a name of her own. So she leaves the nest in search of one. What happens after is a tale of immense pain. A story of reclaiming names and lives stolen. It’s bleak but also hopeful and full of amazing worldbuilding.

Like Birdsong, the Memory of Your Touch, by Izzy Wasserstein, in Fantasy Magazine (May)

This story is written in a stream of consciousness style that really blurs the lines of past, present and future. I read it in one breath. One breath was all it took for the entire world and a relationship to unfold and end in front of my eyes in the most poignant and chilling ways.

Peristalsis by Vajra Chandrasekera in The Deadlands (May)

Like Nadia Shamma’s story, Peristalsis asks questions about whose narrative this is. Who are the characters and who are the spectators. Or is everything part of a larger scheme of things that neither characters or spectators can see, and they are all being pushed along a dead narrative, until the end of the Universe? Gorgeous prose.

Blood in the Thread, by Cheri Kamei, in Tor.com (May)

This is a retelling of “The Crane Wife” and what a retelling it is! Georgeous prose that waves the original tale with the modern version about a make up artist and her actress lover and it elevates both in one heartbreaking and poignant conclusion. There is so much emotion here. 

Balfour in the Desert, by Fargo Tbakhi, in Strange Horizons (May)

Balfour and his companion chase an elusive creature through the desert. The Englishman, Balfour, is the PoV for most of the story, but is he really someone to root for? And is the creature the real danger here? This piece does amazing things with its metaphors and symbolisms. The author captures the greed of the protagonist as such an innate quality to him, that he literally feels like himself only when he takes and destroys. The caring nature, hopelessness and righteous anger of his companion is so pulpable, that any victory, however small, feels like the biggest triumph. 

To Rise, Blown Open, by  Jen Brown, in Anathema (May)

A nuanced and complicated super hero story about trauma and complicated relationships but also about change and perhaps the hope of healing. So full of emotions.

Bones in It, by Kristina Ten, in Lightspeed (May)

“Give me something with bones in it!”

Wow, this story could have gone so dark. And it is dark if you really think about it. But Kristina keeps the tone and the prose light with her masterful humorous prose and her keen eye for irony. In her hands, the story becomes whimsical and mythical, but so very grounded it could just as well have happened to someone you know. 

Oh, and please call me tenured professor. 

Proof by Induction by José Pablo Iriarte, in Uncanny (May/June)

This is a story of family and self-acceptance. The protagonist struggles with themselves first and foremost and then with the father or the peers. What they gain in the end is a quietly triumphant love for one’s self and hope for the future.

Unseelie Brothers, Ltd. by Fran Wilde, in Uncanny (May/June) – novelette

This was such a wonderfully fresh take on a few fairytales, and the important of sacrificing parts of yourself in order to gain your heart’s desire. Is it worth it? This is an answer one can only give for themselves. Plus show stopping magical dresses!

A Welling Up, by Natalia Theodoridou, in Strange Horizons (June)

This story is hypnotizing and inescapable. There is a lingering sadness in it that draws you in. It will remind you that people can be vert similar but also far apart, like tiny islands in the ocean.

All This Darkness, by Jennifer R. Donohue, in Apex (June)

The mines are closing and the adults are too preoccupied with finding a way to pay the bills. But their children still crave their missed chance. The chance to enter the mountain and go deep inside its belly. This is a surreal story that’s both dark and charming with a very effective prose.

Three for Hers, by Filip Hajdar Drnovšek Zorko, in Podcastle (June)

I love a tale of revenge as much as the next person. But this is so much more. The worldbuilding here is amazing, especially when it comes to the rules of the Margrave and how firm but also slippery they can be. Because for those who hold the power there aren’t really any rules.

Data Migration, by Melanie Harding-Shaw, in Strange Horizons (July)

A very effective and realistic depiction of a near-future environmental Apocalypse. What makes this story stand out and become really extraordinary is the way the author handles the form by taking advantage of negative space and the fact that the protagonist tries against all odds to hold on to hope as well as pass it on.

The Child Feast, by Kaitlyn Zivanovich, in Pseudopod (July)

Sometimes no matter how hard you try, and how you seemingly succeed, you can’t really save your child from the witch’s house. This is horror. Real, tangible, inescapable horror. Very well-written and heartbreaking story

Our Days of Tear-stained Glass, by Avra Margariti, in Baffling Magazine (July)

I just love this piece and the poetry it carries within each sentence! A fabulous story about loving impossible things and persisting, even if those things are giant mermaids with shipwrecks wedges between their sharp teeth!

Across the River, My Heart, My Memory, by Ann Leblanc, in Fireside (July)

This story took some unexpected turns from the get-go but we slowly piece together the image of an unusual community of people and their legacy, still looking out for each other ever after they lose their human form. And even when they are treated with cruelty, they still strive for community and improvement.

Mushroom Head, by Marla Bingcang, in Apparition Lit (July)

If grotesque beauty and fungi horror had a child this would be it. This is a horror tale were the language and the description take center stage, and offer a chilling sensory experience. It is also the tale of a family’s desperation and hunger, and there is another horror tale hidden inside the first one like a matryoshka doll of terror.

Faithful Delirium, by Brent Lambert, in Beneath Ceaseless Skies (July)

A powerful story about religious fanatisism and the pain and destruction it can cause to meet a pointless goal. That plot twist was everything. Chilling.

Cocoon, by H. Pueyo, in Strange Horizons (August)

A beautifully rendered and gutting piece of flash that deals with dementia. You feel the sadness and the tenderness of the piece from the first line to the last.

Before the Haze Devours You, by Nelly Geraldine García-Rosas, in Lightspeed (August)

How can someone fit so much worldbuilding, pain and redemption in such a short space? This is a bit over flash-length but it’s tense and emotional and everything in space!

Immolatus, by Lyndsie Manusos, in The Dealands (August)

I love a ghost bride story and this one does not disappoint, especially when there is delicious revenge. The descriptions of the ghost bride corpses and how they find each other are chilling!!!

A Guide to Snack Foods After the Apocalypse, by Rachael K. Jones, in Diabolical Plots (September)

Well, this was terrifying. I love the structure of this piece and how the distraction of rating snacks adds to the real horror of what is happening. Also that ending!

Sía, by Lizz Huerta, in Lightspeed (September)

Liz Huerta can’t write a story that won’t have me hooked from start to end. Have you ever thought of what would happen if ancestors got another chance to fight each other and try to right part of the wrongs of colonialism? This story is both hilarious and heartbreaking and combines so many truths and concepts in a brilliant way. But it’s also a story with warmth and the value of family, of someone who knows you intimately and looks out for you even after death.

Questions Asked in the Belly of the World, by A. T. Greenblatt, in Tor (September)

This story examines a society were everyone can and should be an artist but also an art critic. A society that those who can’t produce art or discuss it are considered redundant. This story hit hard with its message and the world-buidling was strangely wonderful.

Down in the Aspen Hollow, by Kristiana Willsey, in Uncanny (September/October)

If there is one person can take a murder ballad and breathe new life into it, that’s Kristiana. This is such an enchanting tale of heartbreak and slow, delicate revenge, that feels right in the way it feels in ancient stories.

Mulberry and Owl, by Aliette De Bodard, in Uncanny (September/October)

A story about the aftermaths of war and whether reconciliation can truly happen. I loved the back and forth between Thuỷ and Owl, and the idea that survival can be its own kind of atonement or revenge.

Hold Your Breath, by K.C. Mead-Brewer, in Uncharted (October)

Oh my, this is a very creepy story. A house It’s a story wrapped around a thick mist of expectations about oneself, about sex, about the things we leave behind before we enter the world as adults and about what kind of humans we are going to be from now on.

Those Virtues, Those Poisons, by Martin Cahill, in Beneathe Ceaseless Skies (October)

A deeply emotional story. It literally goes through the entire spectrum of the MC’s emotions, and it does so eloquently. A journey of self-exploration with the self as the main antagonist. Giant serpent is a giant plus for me too!

Small Monsters, by E. Lily Yu, in Tor (October)

This is a story full of monsters. It’s strange and beautiful, ponderous and vivid, dark and tender and it hides a great truth inside. It’s the kind of story that I aspire to write in the future.

Caw, by WC Dunlap, in Nightmare (October)

Lovely body horror. Like “The Birds” but more terrifying and with themes of trust and group dynamics. In a life and death situation would you trust a stranger or choose darkness?

Not Quite What We’re Looking for Right Now, by Jana Bianchi, in Fireside (October)

A very short but very smart piece about art and how it can impact real people. This flash takes full advantage of its format and it manages to be really funny while saying something important.

Sorry We Missed You! by Aun-Juli Riddle, in Khōréō (November)

This is such a wonderful and quiet story. It unfolds delicately, with a great warmth that makes the grief underneath a little sweeter and more bearable. Because family and love can be found in a bowl of potato noodles even when you are planet-hoping. 

What Floats In a Flotsam River by Osahon Ize-Iyamu, in Strange Horizons (November)

This gorgeously surreal story has a strong environmental message but also a deeply social one. A message about the power of the masses and the importance of working as a group in order to achieve any kind of meaningful change, but also the importance of individual expression and validation. 

For Want of Milk, by Grace P. Fong in Uncanny (November/December)

This story was both hard and soft in all the right places. I love where Grace took the story. I did not see it coming but it made perfect sense!

The Cold Calculations, by Aimee Ogden, in Clarkesworld (December)

This story is far greater than the sum of its parts. It’s not about rage for me (it has that too for obvious reasons). It is about wanting to change something and making the effort to do so. Even if it’s something seemingly small and insignificant. Like the ending to a story.

Writing You, by Sharang Biswas, in Lightspeed (December)

Flaying your boyfriend has never been done so beautifully. Two people make plans on how to mourn the passing of their lover in their own personal way. The language really shines here and reverbarates with musicality, but it’s the end that will get you like a small knife in the ribs. 

Essays:

Using Unreliable Narration to Create Voice, by Priya Chand, in SFWA blog (February)

Seduced by the Ruler’s Gaze: An Indian Perspective on Seth Dickinson’s Masquerade, by Sid Jain, in Uncanny (March)

Death and Wednesday, by Suzan Palumbo, in The Deadlands (May)

Un/Reliable: Reflections in The Drowning Girl, by Jordan Kurella, in Mermaids Monthly (June)

WWXD: A Warrior’s Path of Reflection and Redemption, by C.L. Clark, in Uncanny (July/August)

The Bad Dad Redemption Arc Needs to Die, by Nino Cipri, in Uncanny (July/August)

We Are the Mountain: A Look at the Inactive Protagonist, by Vida Cruz, in Fantasy (August)

Worldbuilding with Legs: Incorporating Insects into Your Stories, by Premee Mohamed, in Fantasy (October)

Liminal Spaces: Shelters and Cells, by Avra Margariti, in Strange Horizons (November)

Creating Character Arcs in Games Writing, by Natalia Theodoridou, in SFWA blog (December)

MY AWARDS ELIGIBILITY POST FOR 2021

Another year has passed and one I am very grateful for. I was a finalist for three (!) different awards, the Ignyte, the Nebula and the World Fantasy Award with my story “My Country Is a Ghost“. I did not win any of the awards but just being a finalist, and being able to attend cons online, talk to other writers, and cheer the winners was enough for me. I got to spend time with some lovely people this year, even though we were on lockdown most of the time. My heart is full.

As it is customary I will post my stories that were out this year and later I will post some of my favorite stories in an always incomplete list. I had quite the productive year with a lot of firsts but all in good time.

Here are the stories I published this year and are eligible for awards:

The Giants of the Violet Sea – novella – 27000 words – Uncanny Magazine, issue #42

Triantafyllou Issue 42 Tile

This is the first novella I ever wrote and it sold to Uncanny Magazine! It’s available online for free and I would be honored and grateful if you gave it a read and considered it for awards. It is a mystery set in a far future colony with death tattoos and sea beasts and it is in the Nebula Recommended Reading List!

“It is an intricate thing, the tattooing of the dead. The body doesn’t heal. So it must be done with the utmost precision. And the shape and the color must be in perfect harmony for the soul to move on.”

How The Girls Came Home – short story – 5200 words – Uncanny Magazine, issue #40

Triantafyllou Issue 40 Tile

This is one of my Clarion West stories and it comes with so many fond memories. It is also published in Uncanny Magazine and free to read online. It is a dark fairytale about a girl who wakes up every day having different animal feet. It is also in the Nebula Recommended Reading List!

“Where her human skin stops, bone and muscle twist and take shapes. Shapes that should not be there. Her feet are only sometimes covered in fur. Other times they are sleek and lustrous as if draped in sequins, or cloaked in glossy, kaleidoscopic feathers.”

Tomatoes – short story – 4500 words – Khōréō Magazine, issue #1.4

Another story that sprouted (pun intended) from Clarion West and the first one I wrote while there. I am so happy to share it with you. It’s free to read in Khōréō. It’s a dark fantasy story about family bonds and duty, about two rival witch families, and, well, about tomatoes too.

“Filaments of my flesh turn into rootstalks and move on and on until there is nothing but the plants. I exist only in this garden now. Even if my body can leave this house and walk around the village, my roots can only stretch so far.”

Fish Tale – short story – 3800 words – Professor Charlatan Bardot’s Travel Anthology to the Most (Fictional) Haunted Buildings in the Weird, Wild World

I got solicited for the first time this year to write a story for Professor Charlatan Bardot’s Travel Anthology to the Most (Fictional) Haunted Buildings in the Weird, Wild World! Fish Tale is a fantasy story that takes place in the famous Fish Church (Feskekôrka) in Gothenburg and explores family and community dynamics but also a strange curse.

“The boys crossed themselves and clutched tight at the little wooden fish charms. All the fishermen wore one when they fished the open sea but now all the fishmongers had one too. Because the sea had come inside the market the day she had helped her husband kill that fish.”

Another first for me was that I got to write a side story for Magic: the Gathering’s Innistrad: Midnight Hunt. Sisters is the first IP work I ever got to do and the experience was amazing, as was the fan reception of the story. I hope this will be the first of many.

That is it for now. Thank you for reading this far. If you enjoyed any of these stories it would be an honor if you voted them for awards.

I hope the next year treats you well friends. Many hugs.

AN INCOMPLETE LIST OF BEAUTIFUL STORIES THAT HAVE KEPT ME COMPANY THIS YEAR (BY PUBLICATION MONTH).

Thank you all for your wonderful little lights that made me feel a little bit less alone ❤

 

Short stories:

Mother Love, by Clara Madrigano, in The Dark (January)

The AI That Looked at the Sun, by Filip Hajdar Drnovšek Zorko, in Clarkesworld (January)

The Imperishable Birds, by Vajra Chandrasekera, in Fireside (January)

Badass Moms in the Zombie Apocalypse, by Rae Carson, in Uncanny Magazine (January)

You Perfect, Broken Thing, by C.L. Clark, in Uncanny Magazine (January)

Hustle, by Derrick Boden, in EscapePod (February)

White Noon, by Aidan Doyle, in Podcastle (February)

Rat and Finch Are Friends, by Innocent Chizaram Ilo, in Strange Horizons (March)

Never a Butterfly, nor a Moth With Moon-painted Wings, by Aimee Ogden in Beneath the Ceaseless Skies (March)

Georgie in the Sun, by Natalia Theodoridou, in Uncanny (March/April)

Girl Clothes, by M. L. Krishnan, in Sonora Review (April)

A Moonlit Savagery, by Millie Ho, in Nightmare (April)

An Explorer’s Cartography of Already Settled Lands, by Fran Wilde, in Tor.com (April)   

A Promise of Dying Embers, by Jordan Kurella, in Diabolical Plots (April)

Glass Bottle Dancer, by Celeste Rita Baker, in Lightspeed (April)

Caring For Dragons and Growing a Flower, by Allison Thai, in PodCastle (April)

Have Your #hugot Harvested at This Diwata-owned Café, by Vida Cruz, in Strange Horizons (May)

Open House on Haunted Hill, by John Wiswell, in Diabolical Plots (June)

The Sinkhole that Ate Los Angeles, by Gardner Mounce, in Lowestoft Chronicle (June)

Bring the Bones That Sing, by Merc Fenn Wolfmoor, in Diabolical Plots (July)

Baba Yaga and the Seven Hills, by Kristina Ten, in Lightspeed (July)

Tara’s Mother’s Skin, by Suzan Palumbo, in PseudoPod (August)

What Lies Within, by Isha Karki, in Augure Magazine (August)

Weaving in the Bamboo, by Eliza Chan, in Translunar Travelers Lounge (August)

An Incomplete Account of the Case of the Bird-Talker of Yaros, by Eleanna Castroianni, in Fireside (August)

Slipping the Leash, by Dan Micklethwaite, in Podcastle (August)

A Voyage to Queensthroat, by Anya Johanna Deniro, in Strange Horizons (August)

Heartsob Playplayplay Promisegift, by Monte Lin, Cossmass Infinities (September)

The Dreadnought and the Stars, by Phoebe Barton, in Glitter + Ashes, Neon Hemlock (September)

A Layer of Catherines, by Elisabeth R. Moore, in Strange Horizons (October)

The Angel Finger, by K. C. Mead-Brewer, in CRAFT Literary (October)

Teeth Long and Sharp as Blades, by A. C. Wise,  in PseudoPod (October)

Ask Not What the Penguin Horde Can Do for You, by Noah Bogdonoff, in Strange Horizons (October)

To Look Forward, by Osahon Ize-Iyamu, in Fantasy Magazine (November)

Winter’s Heart, by Vanessa Fogg, in Hexagon Magazine (December)

Tiny House Living, by Kristiana Willsey, in Fantasy Magazine (December)

 

Novelettes:

The Shadow Prison Experiment, by Caroline M. Yoachim, in Lightspeed (August)

City of Red Midnight: A Hikayat, by Usman T. Malik, in Tor.com (October)

The Little Witch, by M. Rickert, Tor.com (October)

My Awards Eligibility Post for 2020

What a year. Yes, I know. I did not end up reading as much as I had hoped *gestures at the world* but the little I did read was a lovely break from reality and I’ll soon post my recs for 2020.

I did not end up writing so much either but I am very proud of two things: 1) I wrote and published my first ever essay (!) about living in Greece during the pandemic (and it went pretty well!) and 2) I published a story I love, that is also the most personal piece I have written yet.

Here are the stories I published this year and are eligible for awards:

My Country Is a Ghost – Uncanny Magazine, issue #32 

If you were to read just one I would recommend “My Country Is a Ghost” since I love it to bits. It is free to read online and it is in the Nebula Recommended Reading List.

Those We Serve – Interzone, issue #287

I hope next year is far far better on many fronts and that this post finds you well, friends.

My Awards Eligibility Post for 2019

It’s time for lists! Lists of the stories I published this year but also lists of my favorite stories!

This year had been a little busier than usual for me, both because I moved but also because I participated in the Clarion West Writers Workshop during the summer. It is a wonderful and fulfilling experience for any writer but left little room for other activities. As a result I have fallen a little behind on my reading but I plan on catching up soon.

Here are the stories I published this year and are eligible for awards:

We Are Here to Be Held – Strange Horizons

It is free to read online and it is in the Nebula Recommended Reading List.

What Cannot Follow – Fireside Magazine

April Teeth – Do Not Go Quietly: An Anthology of Victory in Defiance

Her Blood Like Rubies in the Ground –  Gorgon: Stories of Emergence, Pantheon Magazine

 

An incomplete list of fabulous stories I’ve read this year (by publication month).

This year has been a roller-coaster for me. I went to Clarion West (a thing that seemed impossible just a year ago) and just recently moved back to Greece.

Needless to say I fell a little behind with my short story reading but what comforts me is that there are endless amazing stories out there so it wouldn’t be possible for me to read them all. For that I am thankful for all the year’s-end lists people are compiling because they will help me find more great stories!

I hope you find something you’ll love in this one.

Poems Written While, by Natalia Theodoridou, in Uncanny (January)

Dustdaughter, by Inda Lauryn, in Uncanny (January)

The Thing, With Feathers, by Marissa Lingen, in Uncanny (January)

The Daddy Thing, by K. C. Mead-Brewer, in Electric Literature (January)

The Message, by Vanessa Fogg, in The Future Fire (February)

The Crafter at the Web’s Heart, by Izzy Wasserstein, in Apex (February)

Give the Family My Love, by A. T. Greenblatt, in Clarkesworld (February)

The Archronology of Love, by Caroline M. Yoachim, in Lightspeed (April) – Novelette

Where the Rain Mothers Are, by Rafeeat Aliyu, in Strange Horizons (April)

Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island, by Nibedita Sen, in Nightmare (May)

Therein Lies a Soul, Osahon Ize-Iyamu, in The Dark (June)

The House Wins in the End, by L Chan, in The Dark  (July)

The Brightest Lights of Heaven, by Maria Haskins, in Fireside Magazine (July)

Ahura Yazda, the Great Extraordinary, by Senaa Ahmad, in Lightspeed (July)

1078 Reasons“, by Aidan Doyle in Translunar Travelers Lounge (August)

How the Trick Is Done, by A.C. Wise, in Uncanny (August)

And Now His Lordship is Laughing, by Shiv Ramdas in Strange Horizons (September)

Shelter, Sustenance, Self, by Aimee Ogden in Fireside (September)

The Silent Flowers of the Magician’s Garden, by Eleanna Castroianni in Beneath Ceaseless Skies (September)

A Square of Flesh, A Cube of Steel, by Phoebe Barton in Analog (September/October)

Failsafe, by Tim Chawaga in Escape Pod (October)

Personal Rakshasi, by Suzan Palumbo in Fireside Magazine (November)

A Tour of the Galesburg Glass Museum, by Kristina Ten in Cosmonauts Avenue (December)

The Garden’s First Rule, by Sheldon Costa in Strange Horizons (December)